Leslie Friedman’s Tasty at Napoleon – The ArtBlog by Libby Rosof

Excerpt from review:
“In a world where James Rosenquist painted a deadpan F-111 with a mixture of adoration and dread, so Friedman creates her salvation and her nemesis with equal ambivalence. It’s here, in this ambivalence, combined with sexual messages about desire, and cultural messages about women, their roles and their value, that this seemingly simple installation finds its not-so-simple content.”